My creative practice is a dialogue between heritage, abstraction, and form. Operating under the name Irme Mamsirati, a name I hold to honor my Ossetian roots, my work explores the intersection of cultural memory and contemporary visual language.

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My approach to art is deeply informed by my time in Russia, where I engaged with the traditions of the avant-garde movement.

 

My paintings explore the theme of "Woman", delving into the complexities of existence, societal perceptions, and internal self-perception. I often work with a disciplined palette: primary colors—red, yellow, and blue—form the ground, while white and black contours define the figures. This reductionist approach allows the narrative to emerge organically from the canvas.

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Beyond the canvas, my background in ceramics informs my sense of volume and texture. My work has been exhibited internationally across the UK, Germany, Turkey, Greece, and Russia, and is held in private collections spanning the globe from the US to Malaysia. In 2021, my piece 'Labels' was featured at the Superchief NFT Gallery in New York during the inaugural NFT Biennial, marking my ongoing exploration into digital expressions.

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My design philosophy is rooted in the belief that style should be both timeless and responsible. Founded in 2004, my fashion label, Mamsirati Irmæ, was built on a commitment to retro aesthetics and sustainable craftsmanship, utilizing organic, recycled, and biodegradable materials. For a decade, these one-of-a-kind pieces served as a study in classic silhouettes and ethical production.

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Beyond my personal practice, I have long been committed to the ecosystem of art. Through curatorial projects like the art'ALAN Exhibitions (2017–2018), I have focused on creating spaces that bring international voices together, bridging cultures through curated visual experiences.